Every real product needs a digital twin. We build them the right way.
In the era of AI and real-time, a product with no accurate, licensed digital counterpart is invisible to the tools that now design, specify, sell and generate content. R3PLICA builds those counterparts under agreement with the brands themselves, then makes them work everywhere at once.
The gap
Brands haven't entered the digital world yet.
Not officially, and not at scale. Creative professionals work with approximations: unlicensed products, inaccurate data, brand identity with nothing protecting it.
The real design market runs on structure, relationships and trust. The digital side had none of that.
R3PLICA is the missing layer.
Certified digital replicas, built from manufacturer data, reviewed by the brand, and delivered with the technical depth professionals need to make real decisions.
How we work
Craftsmanship, translated into digital form.
Agreements
We sign agreements with the brands. Every replica in the catalog exists because the manufacturer authorised it, so what you specify is the real product, licensed for the use you make of it.
Digital craftsmanship
We collect the data behind the real object, from shape and materials to dimensions and finishes, and rebuild it as an accurate digital replica. Finish by finish, covering by covering.
IP preservation
Every replica carries its rights with it. Brand identity stays protected wherever the asset travels, which is precisely what makes it safe to use commercially.
IP Proofing
From physical assets to digital twins.
Licensing Engine
Automated rights for the real-time era.
Copyright Enforcement
Securing brand DNA in every pixel.
The smart asset
Every channel draws from the same asset.
Not a product adapted to every channel, but one asset every channel draws from.
The catalog is a gateway
One catalog, wherever you work.
The catalog is not a download page. It is the connection point: AI agents query it directly, real-time engines pull from it live, and the data travels with the geometry instead of being left behind.
That is what makes it a single source of truth. The same certified replica a designer specifies in a project is the one a brand renders for a campaign, publishes on a product page or turns into social content. No second version to keep in sync, and nothing approximated along the way.
R3PLICA MCP
Our Model Context Protocol server lets AI agents talk to the catalog directly, reading real products and their specifications instead of inventing them.
How the MCP works → Native integrationsUnreal Engine, SketchUp & CAD
Bring certified replicas straight into Unreal Engine or SketchUp, with their materials and finishes intact, or as 2D blocks in DWG and DXF. Work with them where you design.
See the integrations → Browse & specifyThe web catalog
Search real products by brand, category and finish, compare them, and take the exact specification into your project documentation.
Explore the catalog →Starting from design. Not stopping there.
Our experience is rooted in architecture and interior design, and that is the first vertical a certified catalog had to prove itself in. But nothing about the model is specific to furniture: wherever a real product carries a brand identity it needs a verified digital counterpart, and the same pipeline produces it.
- Design
- Furniture
- Lighting
- Finishes
- Fashion
- Electronics
- Accessories
- Jewellery
- Automotive
- Personalities
50+
brand partners under agreement
- Cattelan Italia
- Driade
- TON
- Miniforms
- Emu
- Montbel
- Cantori
- Giorgio Collection
- and many more →
A selection of the brands already live in the catalog, with more entering as their replicas are certified.
Ecosystem validation
Epic Games · Adobe · NVIDIA
Epic Games cites R3PLICA in its official article on the decision engine. Adobe and NVIDIA are pushing in the same direction: the digital twin as the new infrastructure layer.
More design time.
R3PLICA Srl
Piazza XI Febbraio 4/2 - 48018 Faenza (RA)
CF : 02721070395
Numero REA: RA - 226160
Cap. Soc. € 100.000,00 i.v.
Alessandro Scarpellini - Giulia Galassi - Chiara Ferrari